So.
Did my first "Practice Interview" yesterday with one of the Dharma teachers for this practice period. I told him he was the reason I was there because I'd listened to a podcast of a Dharma talk he did about a year and a half ago. The topic was the Diamond Sutra -- which I'd been googling for information -- and his talk had been enlightening partly for what wasn't said rather than what was directly stated. It wasn't a particularly organized talk, it was more spontaneous and was just what I needed at that moment.
When I got an email about this practice period, I said to myself, "All right, why not? It's time." So here I am.
I told him the brief version of my many years of practice, how I came to the practice, where I was in the practice, and some of what I was gaining and hoped to gain from this practice period. We talked about Kerouac and Dharma Bums and I said that it was probably time for me to have a teacher and join an active sangha. He saw that it was probably so.
I asked how his mother was doing. It seemed to startle him. When the practice period began he said he'd just come back from Los Angeles where he'd been with his mother through surgery, and I'd thought about him and his mother from that point on. Even when you are detached in the Buddhist sense, the loss or well being of your mother and those closest to you is going to be felt. Compassion and concern and respect are called for from those who are aware.
He thanked me and said she was doing well, and I told him I was glad for that, and we moved on.
He suggested I read the Platform Sutra if I hadn't already. Best, he thought, if I came to it fresh without advance conceptions or knowledge. If I hadn't read it before its effect would be greater.
So I'm reading it now, and it's fascinating. I didn't read it before. No. But I'd heard the story, it's often used as a metaphor. And much of the Dharma teaching is very familiar. For the most part, it is the Zen practice I've been engaged in for so many, many years. There are some gems, real gems that'd I'd missed, and I was delighted to find them in the Sutra.
He suggested I arrange for interviews with other Dharma teachers during the practice period as well, which I've done with one other so far. Slots fill quickly.
We chatted some more and he said he'd like to take it up with me some more at another time, and I was agreeable, and after our time was up for this interview we bowed said goodbye for now.
What was striking to me was that we laughed, genuinely, at our foibles among other things, and to me that is a core and necessary feature of Buddhism. For without laughter, what's the point, eh?
Without dancing, why bother with Revolution?
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